poto: typeResults Winning Entries: FOLDING SCRAPER by S. Papitto & G. Evels (Rome, Italy) PODIUM TOWER by A. M. Kakavandi, F. S. Seiehkalan, N. Lofti, M. Jahanian, F. Bahmani, S. Rezvani (Toronto, Canada) OTO by J. Kurtz, K. Stitak, K. May, D. McKeown (Cleveland Heights, USA) Honourable Mentions:
STACKHOUSE by T. Wai, C. Min (Vancouver, Canada) LOST TYPOLOGIES by D. Jacobson (Vancouver, Canada)
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Announcement
SPONSORS:
AFBC, AIBC, RAIC, CCA, UBC SALA
TYPE:
Open, international, anonymous, student, ideas
LOCATION:
Vancouver, Canada
LANGUAGE:
English
TIMETABLE:
18 Jul 2007 – Inquiries Deadline
25 Jul 2007 – Answers Posted
03 Sep 2007 – Registration Deadline
15 Aug 2007 – Submission Deadline (arrive by 4:00 pm)
22 Aug 2007 – Exhibition of All Entries, AIBC Gallery
01-05 Sep 2007 – Jury Deliberation
06 Sep 2007 – Winners Announced
ELIGIBILITY:
Architects, intern architects, designers and creative thinkers worldwide
JURY:
James Cheng, MAIBC
Patricia Patkau, MAIBC
Brent Toderian, Director of Planning, City of Vancouver
Dr. Rhodri Windsor-Liscombe, Head of Art History, University of British Columbia
George Yu, AIA
AWARDS:
1st Prize – CDN$2,500
2nd Prize – CDN$1,500
3rd Prize – CDN$1,000
Honorable Mention per Juror
FEE:
CDN$40
THE COMPETITION:
Potogroup presents an open architectural ideas competition: poto:type. This competition will question the emerging typology originating in Vancouver’s downtown area: podium/tower typology. The podium/tower typology evolved as a response to the cities’ desire to intensify its downtown area by increasing the number of residential units while maintaining pedestrian-friendly streetscapes. Proliferation of this architectural mono-type could potentially create social and economic disparateness while weakening neighborhood identities. Potogroup makes an invitation to the participants to explore, rethink, question and experiment with new ideas that will challenge the concept of the podium/tower. This investigation should encompass formal, programmatic, social and cultural aspects of this specific type. The projects should challenge the logic of the present, formulate new questions, and facilitate variations that will allow new potentials for living and existing in the city. Poto:type should investigate both macro and micro scale as well as examine the notion of ‘vertical sprawl’. Architects, intern architects, designers and creative thinkers all around are encouraged to take part in this challenge to reinvent the ubiquitous Vancouver poto:type and explore viable alternatives for urban densification. The criterion is to explore alternate solutions to the mixed-use/residential typology currently prevalent in Vancouver, with a typical density of FSR 8, and a fictitious site of 120’x600’ with a 300’ ceiling and 4 storey street edge typical of a comprehensive development. It is the competitor’s prerogative to depart from these criteria and propose a project outside these zoning bylaws, but should the entry wish to work within these parameters, competitors may look at the guidelines of the City of Vancouver Comprehensive Developments (CD-1). Regardless, all proposals shouldattempt to incorporate social, regional, economic, technical, and aesthetic elements into the final solution.
ADDITIONAL INFORMATION:
Scott Kemp MAIBC, Professional Advisor
Poto:type Architectural Ideas Competition
100 – 440 Cambie Street
Vancouver BC V6B 2N5
Canada
http://www.poto.ca |
Perkins & Will
Carrying the label, “Artistic Ideas Competition,” five firms vied for a commission to design a new National Museum of the U.S. Navy. Household names, the five were
Bjarke Ingels Group (BIG) Copenhagen/ New York
Gehry Partners (Los Angeles)
DLR Group (Columbus, OH)
Perkins&Will (Chicago) Winner!
Quinn Evans (Ann Arbor) With a site not yet identified, it is possible that a final design will look quite different from the present submission. the Navy has expressed a preference for M Street SE and 6th Street SE, near the Navy Yard in Washington, D.C. Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality 
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/ Six Firms Competed to Rethink the Future of a Major Museum 
Aerial view of winning design ©Nieto Sobejano Arquitectos (courtesy Malcolm Reading Consultants)
The history of the Dallas Museum of Art’s expansion has been punctuated by several moves, culminating in a new building designed by Edward Larrabee Barnes in 1984. The importance of this move to a new, somewhat desolate location in the city cannot be underestimated: it has led to the revitalization of what is now called the “Arts District,” with the relocation of various arts institutions to new facilities: the opera house (Foster and Partners), Dee and Charles Wyly Performing Arts Theater (REX/OMA), Nasher Sculpture Center (Renzo Piano), and I.M. Pei’s Meyerson Symphony Center being among the most significant. Read more… 
Courtesy Malcolm Reading Consultants, ©Kengo Kuma & Associates
A UNESCO World Heritage Site Again on the World Stage How does one approach a challenge when creating a design worthy of a park with a history dating back to antiquity? This was what four design teams faced when shortlisted for the design of a Visitor Center for the Butrint National Park in Albania. The park’s history is illuminating in this regard.
Read more…
Chungji National Heritage Museum Competition
Image ©Ona Architects + Jongjin Lee architects + Laguillo Arquitectos
For those unfamiliar with Korean Heritage and its symbols, the choice of the jury for a new complex to house artifacts, now located at various scattered sites, would seem to beg more information, especially when one views the designs of the non-selected finalists—all quite modern. Some of this can certainly be explained by the subject matter of the new museum’s holdings, another by the site in broader terms. Some might say that emphasis placed on the heritage element in the design brief fostered an interpretation leading to the choice of the winning design: “The site chosen for the new Chungji National Museum is logical: Chungju, located in the central part of the Korean Peninsula, is the center of the so-called ‘Jungwon culture,’ which has played an important role geographically and historically since ancient time. Jungwon culture developed around the Namhan River, which runs through the central region from east to west, and the relics showing this are currently scattered and stored in various museums.”
Read more… University of Florida’s College of Design Construction and Planning’s New Addition 
Development phase image courtesy ©Brooks + Scarpa
If architects have had one complaint concerning the planning and realization of a project, it has been with planners and especially construction managers, both of whom often display a lack of knowledge about architecture. The survival of a well-conceived design can hang in the balance when there is a knowledge gap at the planning and realization end.
Read more…
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