A Museum as Entertainment Landscape

 

The Taoyuan Museum of Arts Competition

 


Courtesy: TMOA ©Joe Shih. Architects + Riken Yamamoto and Field Shop

 

 

The competition for the Taoyuan Museum of Arts is similar to now what has become the typical invited format for major projects in Taiwan. In this case, 14 architectural teams submitted their qualifications, and four qualified for the second competition stage. They were Q-LAB + menacoo architecten, Joe Shih. Architects + Riken Yamamoto and Field Shop, Ricky Liu & Associates, and JJPan and Partners, Architects and Planners + MVRDV.

 

 

After the final evaluation was took place on the 28th of February 2018, Joe Shih. Architects + Riken Yamamoto and Field Shop were named the winners with a proposal developing the Museum of Arts as a entertainment landscape hill in the heart of Taoyuan City. Different from most high profile art museums that have appeared on the international scene over the past decades, this one depends almost entirely on a landscape motif as attraction, not a building as symbolic structure. It could be described as a terraced pocket park, with a number of follies on view.

 

 

 

 

 

This museum has three layers of space; the Cube, the Hill and the Inbetween. The Cube is an enclosed exhibition space, and the Hill is a landscape that contains attractions . The Cube and the Hill are connected by the Inbetween, inside of which one can find art installations, performing art and workshops. in addition the terraces include an outside theater. All this is connected by an “inclined lift,” which will connect the various venues. The pop-up boxes serve as multipurpose spaces for commercial and additional exhibition spaces, where artists can sell their works.

 

 

 

Although we haven’t seen the works of the other competitors at this writing, we can assume that the winning design was somewhat of an outlier in the minds of many. But sometimes it takes a totally different approach to win a competition. The final ranking of the participating teams was:

 

 

• First place – Joe Shih. Architects + Riken Yamamoto and Field Shop (Japan)
Second place – Ricky Liu & Associates
Third place – JJPan and Partners, Architects and Planners + MVRDV (The Netherlands)
Fourth place – Q-LAB + menacoo architecten (The Netherlands)

 

 

 


Images: courtesy TMOA ©Joe Shih. Architects + Riken Yamamoto and Field Shop

 

 

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Recent Archive Updates

Interview: James Mary O’Connor FAIA (Winter 2017)

After receiving his Diploma in Architecture from the Dublin Institute of Technology and BS in Architecture from Trinity College in Dublin, James received his Masters in Architecture from the University of California, Los Angeles while a Fulbright Scholar in the U.S. Shortly after his time as a student in Charles Moore’s Master Class at UCLA, he joined the Moore firm in Los Angeles, now Moore Ruble Yudell. Beginning in the late 1980s, he was involved in the firm’s many projects in Germany, many of which dealt with masterplanning and the construction of large housing, primarily in Berlin. Subsequently, he was involved in the Potatisåkern Master Plan & Housing, as well as the Bo01 Housing Exhibition, both in Malmö, Sweden.
James was MRY’s point person in its subsequent involvement with the firm’s many projects in the People’s Republic of China, beginning with their winning competition proposal for the Century Center project in Beijing. Although unbuilt, it didn’t escape the notice of the Chinese, who invited the firm to participate in a competition for the Tianjin Xin-He large neighborhood masterplan—which they won. This was followed by the 2004 Chun Sen Bi An Housing Masterplan competition in the city of Chongqing, located in central China—completed in 2010. This high profile project resulted in a number of affordable and high-end housing projects throughout China. The firm’s most remarkable sustainability project was the COFCO Agricultural Eco-Valley Master Plan project outside Beijing, envisioned to become the first net zero-carbon project of its kind in the world.
In the meantime, the firm’s focus in China has evolved from its concentration on housing to institutional projects, such as the Shanghai University of Technology‘s research buildings. In the meantime MRY has been noted as a leader in the design of campus projects in the U.S. and abroad, as well as numerous government projects—courthouses and embassies.

 

 

Interview: Steven Holl (Summer 1998)

with Stanley Collyer

portrait 30% copy SHA_02_PAN view_extra long
Mumbai City Museum Competition Winner (2014)

 

COMPETITIONS: What was the first competition you ever participated in?

 

HOLL: I did a competition in 1972 for the Niagara Falls Rainbow Plaza Gardens—which I did in my bedroom in San Francisco. I had just graduated from the University of Washington and had moved to San Francisco, where I was working for Backen Aarigoni and Ross. I think I got fourth place, or something like that in that competition, and it gave me incredible encouragement to proceed in my own design work. It was published in architecture plus by Peter Blake. The article was called “Back from Niagara.” That was the first time I ever got published.

 

COMPETITIONS: The last time we met you had just returned from San Francisco, where you came in a very close second in the San Francisco Mission Bay planning competition (COMPETITIONS, Vol. 8, #2). You teamed up with George Hargreaves, a landscape architect who is not known for just filling in the blanks.

 

HOLL: Whenever you go after a competition, you try to put the best team together and envision winning it. I thought that George would be a great collaborator out there in San Francisco—he lives on a hill which overlooks the Mission Hill project—I thought that if all things went well, he would be the best person to work with. We collaborated back and forth by fax and met a few times. I think he was very partial to some of the ideas we had; he helped us to develop them. There was a good back-and-forth going on.

 

COMPETITIONS: I understand that one of the major concerns of the jury was phasing, since the plan could not be realized all at once. One member of the jury characterized the first phase as “brilliant.”

 

HOLL: I thought our phasing scheme was very good—and this was George’s idea—in the sense that we could landscape and make an incredible public space in the first phase. I thought it was the strongest part of our scheme. I think one has to look at it carefully to understand it. That was actually the strongest part of our scheme.

 

model view from SE Glasgow SHA 14-01 7506

Glasgow SHA 14-01 6922 Completed-003
Holl model (upper left) for Glasgow School of Art Competition (2009); Completion (2013)

 

COMPETITIONS: Many of your recent projects have been additions to buildings—Cranbrook, Pratt Institute, the University of Minnesota School of Architecture. Additions can be almost like infill; but in other respects, a question may arise, as in Cranbrook, as to how much you may feel obligated to defer to Saarinen’s design. How does the existing architecture play a role?

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