Sverdlovsk Philharmonic Concert Hall Competition

 


Image courtesy Ministry of Construction and Infrastructure ©Zaha Hadid Architects

 

Zaha Hadid Architects prevailed over the entries of 47 other firms to win the Sverdlovsk Concert Hall Competition in Yekaterinburg, Russia. Staging this competition in the Urals, in a remote location in European Russia from the centers of power, is testimony that culture can thrive in regions outside of Moscow and St. Petersburg. Considered the capital of the Urals, the city of Yekaterinburg is Russia’s third largest economy. Its population has increased by over 10% in the past decade to 1.5 million and continues to grow as the primary hub and meeting point connecting east and west, Europe and Asia; attracting the many cultures, talents and industries from across Eurasia.

 

Organized by the Ministry of Construction and Infrastructure with the support of a charitable foundation for the support of the Ural Philharmonic Orchestra, the competition adjudication process narrowed the number of finalist firms down to three:

 

  • Zaha Hadid Architects, London (Winner)
  • Alvisi Kirimoto Partners Srl, Rome, Italy (2nd Place)
  • Robert Gutowski Architects, Budapest, Hungary (3rd Place)

 

The dimensions of the site and its location in a space between buildings prioritized the entrance experience to the concert hall. The Zaha Hadid and Robert Gotowski teams approached this in a somewhat similar fashion. Whereas the Zaha Hadid design suggested an almost open stage with setback as the arrival feature, Gotowski went even farther, imagining a curtain-like, concave structure as a prelude to the concert inside. Alvisi Kirimoto was more conventional, using an extension of the roof toward the street as shelter theme. The Hadid designers also extended the roof over the entire program at one level, suggesting an archeological theme.

 

Solving this program, which included two music performance venues, posed a real challenge to the architects. All three proposals could be understood as valid performance venues, and assuming the Zaha Hadid design is realized as proposed, we might see a few pilgrimages to Yekaterinburg in the coming years.

 

First Place

Zaha Hadid Architects (London)
Local Architect: SPEECH (Moscow)
Landscape design: ARTEZA (Moscow)

 

 

   
Images courtesy Ministry of Construction and Infrastructure ©Zaha Hadid Architects

 

 

Read More…

 

 

Calendar

 

 

Exhibitions and Conferences

 

No events

Recent Archive Updates

Interview: James Mary O’Connor FAIA (Winter 2017)

After receiving his Diploma in Architecture from the Dublin Institute of Technology and BS in Architecture from Trinity College in Dublin, James received his Masters in Architecture from the University of California, Los Angeles while a Fulbright Scholar in the U.S. Shortly after his time as a student in Charles Moore’s Master Class at UCLA, he joined the Moore firm in Los Angeles, now Moore Ruble Yudell. Beginning in the late 1980s, he was involved in the firm’s many projects in Germany, many of which dealt with masterplanning and the construction of large housing, primarily in Berlin. Subsequently, he was involved in the Potatisåkern Master Plan & Housing, as well as the Bo01 Housing Exhibition, both in Malmö, Sweden.
James was MRY’s point person in its subsequent involvement with the firm’s many projects in the People’s Republic of China, beginning with their winning competition proposal for the Century Center project in Beijing. Although unbuilt, it didn’t escape the notice of the Chinese, who invited the firm to participate in a competition for the Tianjin Xin-He large neighborhood masterplan—which they won. This was followed by the 2004 Chun Sen Bi An Housing Masterplan competition in the city of Chongqing, located in central China—completed in 2010. This high profile project resulted in a number of affordable and high-end housing projects throughout China. The firm’s most remarkable sustainability project was the COFCO Agricultural Eco-Valley Master Plan project outside Beijing, envisioned to become the first net zero-carbon project of its kind in the world.
In the meantime, the firm’s focus in China has evolved from its concentration on housing to institutional projects, such as the Shanghai University of Technology‘s research buildings. In the meantime MRY has been noted as a leader in the design of campus projects in the U.S. and abroad, as well as numerous government projects—courthouses and embassies.

 

 

Interview: Silvio d’Ascia (2013) with Olha Romaniuk

with Olha Romaniuk

silvio2

COMPETITIONS: You moved from Italy to France in 1993. What was your decision behind moving and starting your architecture firm in Paris?

 

Silvio D'Ascia: Ever since I was a little boy, I wanted to be an artist and, ever since the first time I went to Paris when I was 12 years old, it was a childhood dream of mine to live in such an artistic city. After receiving my degree in Italy, I came to live in Paris and was supposed to stay only for a few months. This temporary visit turned into an opportunity for me to stay and work in France.

 

COMPETITIONS: How do you find the architectural scene in France compared to Italy?

SD: The main difference between Italy and France is that in Italy there was not a competition system in place in the 1990s. Every country in Europe looked at France as a place where it was possible for a young architect to participate in and win competitions, as well as be paid for competition participation and have a chance to do research even if the competition fee was not so high. During the first year of my firm in Paris, we participated in 9 public competitions. It was a great opportunity and my main reason behind the decision to stay in Paris.

 

COMPETITIONS: Were competitions always a part of your firm’s strategy to acquire new work or has that been a fairly recent development?


SD: Competitions have always been important for my own career as they paved the way for me in many areas. In the beginning, during my first four or five years in Paris, I was associated with another architect and we won several competitions together. And in 1999, as we went our separate ways, I entered an anonymous international competition for the Palais de Congrès, going against architects like Richard Rogers and Rafael Vinoly, with Norman Foster as the president of the jury. Massimiliano Fuksas won the competition and I received a second prize. This competition marked the beginning of Silvio d’Ascia Architecture.

One and a half years later, after the above-mentioned project, we won another competition for the Turin (Italy) high-speed railway station. This was the beginning of the next chapter of my professional experiences and projects. The Turin high-speed railway station has brought many other commissions in the railway and transport sectors for the firm.

rome 2 rome 1

Congress Center of Rome (1999 design competition)

 

COMPETITIONS: How do you decide which competitions to go after?

Read more...