The Competition encouraged innovative and cost-effective proposals for the re-design and consolidation of Tristan’s government (community infrastructure) buildings. The brief encouraged initiatives to significantly iprove the standard and performance of residential properties, together with improvements to the island’s agrarian systems to better support grazing and the year-round growth of fresh produce.
The finalists were:
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The University of Central Lancashire (UCLan) and the Royal Institute of British Architects (RIBA) are delighted to announce that Hawkins\Brown has been selected as the winning team in the RIBA competition to design a new circa £60 million student support centre and civic square for the University of Central Lancashire in Preston, Lancashire.
The shortlisted
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The Royal College of Art announced the seven shortlisted architectural practices for its new state-of-the-art £108 million Battersea South campus in an invited design competition.
The shortlisted practices are (in alphabetical order):
Christian Kerez (Switzerland) Diller Scofidio + Renfro (US) Herzog & de Meuron (Switzerland/UK) Lacaton & Vassal (France) Robbrecht en Daem architecten (Belgium)
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© Stanton Williams / Asif Kahn (courtesy MRC)
The challenge to design a new Museum of London in a very traditional context did not deter some of Europe’s premier modernists from entering this competition. The prize was the conversion of a building in the West Smithfield area, intended to anchor an important cultural district in the city. The new museum, which has a £130-150m construction budget, will secure the future of a series of much-loved heritage buildings at West Smithfield, help regenerate this historic part of the City of London and re-launch the museum, which has seen its audiences soar in recent years. Whereas other major capitals may only have one museum of history, the Museum of London already exists in other locations in the city, most notably in the Square Mile and the Docklands. But establishing a new museum in another location only serves to illustrate the wealth of historical materials accessible to the museum in its archives.
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Sponsors: Dept. for Communities and Local Government; UK Holocaust Memorial Foundation Professional Adviser: Malcolm Reading Consultants Type: Open, EOI, international, two-stage (No design is required for the first (EOI) stage.) Eligibility: Seasoned practices are encouraged to combine with emerging talent. The teams should be structured under a lead consultant, who is an architect, identified
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Sponsor: Government of Cyprus Type: International, restricted (EOI), two-stage Fee: none Language: English Eligibility: Licensed architects Contract value: 410,000€ Timetable: 9 January 2017 – RfQ deadline 23 January 2017 – Deadline for dispatch of invitations Jury: • Mr. Alecos Michaelides • Dr. Marina Solomidou-Ieronymidou • Sir Peter Cook • Mr. Elias Zenghelis • Mr. Michael
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Sponsor: Automobili Lamborghini S.p.A. Organizer: Young Architects Competitions (YAC) Type: Open, one-stage, international Timetable/Fees: 75€ +22% VAT – by 2 October 2016 (Standard Registration) 150€ +22% VAT – 3 to 31 October 2016 (Late Registration) 2 November 2016 – Deadline for Submissions Prizes: 1st prize – 12,000€ + Construction 2nd prize – 4,000€ 3rd
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©Adjaye Associates (UK) with AB3D Images courtesy Malcolm Reading Consultants.
Poland and the Baltic states have been playing cultural catch-up with the rest of the world ever since the former gained their independence after the breakup of the Soviet Union in 1989. These have included several high-profile competitions for museums in Poland, but also interesting projects in Estonia. Now Latvia and Lithuania are saying that they too should also have modern art museums on par with those in western Europe and Scandinavia. In Latvia, a movement to establish a modern art museum dates back to the early decade of the 21st century. It was then in 2005 that the ABLV Charitable Foundation, established by a local bank, provided endowment funds for purchasing modern art for a museum. They were joined in the museum project by The Boris and Inara Teterev Foundation, which was founded with the purpose of promoting culture.
Finland has always had close times culturally to the Baltic States, especially to Estonia, and the recent Guggenheim competition there could hardly have gone unnoticed by its southern neighbors. So it should come as no surprise that the Latvian sponsors engaged Malcolm Reading Consultants, the Guggenheim competition adviser, to organize their competition for the Latvian Museum of Contemporary Art in the nation’s capital, Riga. Contrary to the Guggenheim competition, this time the finalists were the result of a closed shortlisting process.
They were:
- Adjaye Associates (UK) with AB3D
- Architects Lahdelma & Mahlamäki (Finland) with MADE Arhitekti
- Caruso St John Architects (UK) with Jaunromāns un Ābele
- Henning Larsen Architects (Denmark) with MARK Arhitekti
- Neutelings Riedijk Architects (Netherlands)
- Sauerbruch Hutton (Germany) with Arhitekts Ingurds Lazdiņš
- wHY Architecture (US) with Outofbox and ALPS
All of the shortlisted teams had at least some museum experience, and those having somewhat less exposure in this area could point to their expertise in a number of projects relating to the arts. Some had made their mark lately, most notably wHY architecture (US) and Lahdelma & Mahlamäki (Finnland), the latter having won the prestigious open competition for the Museum of the History of Polish Jews in Warsaw. With the exception of Neutelings Riedijk Architects, all of the finalists included at least one local Latvian firm on their team. The ultimate competition winner, Adjaye Associates (UK), could bask in the huge amount of publicity generated by the September 2016 opening of the Smithsonian National Museum of African American History and Culture on the Mall in Washington D.C.
The competition in many ways resembled a linear exercise, mainly dictated by the site and program. In the end, Adjaye Associates very straightforward, logical approach to the program won the day for the London firm. Although there were not enough jury comments to suggest how the other finalist team(s) were ranked, only one, Sauerbruch Hutton, was given a “mention’, although it was not to be considered as a ranking.
The museum will be built as part of New Hanza City, a new district at a former railway goods station in a northern district of Riga. Comprising 24.5 hectares, the development also will inclulde offices, apartments, a hotel, a nursery school and a public garden.
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Helsinki Central Library, by ALA Architects (2012-2018)
The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome.
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Young Architects in Competitions
When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link:
https://crc.umontreal.ca/en/publications-libre-acces/
RUR model perspective – ©RUR
New Kaohsiung Port and Cruise Terminal, Taiwan (2011-2020)
Reiser+Umemoto RUR Architecture PC/ Jesse Reiser – U.S.A.
with
Fei & Cheng Associates/Philip T.C. Fei –R.O.C. (Tendener)
This was probably the last international open competition result that was built in Taiwan. A later competition for the Keelung Harbor Service Building Competition, won by Neil Denari of the U.S., the result of a shortlisting procedure, was not built. The fact that the project by RUR was eventually completed—the result of the RUR/Fei & Cheng’s winning entry there—certainly goes back to the collaborative role of those to firms in winning the 2008 Taipei Pop Music Center competition, a collaboration that should not be underestimated in setting the stage for this competition.
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Winning entry ©Herzog de Meuron
In visiting any museum, one might wonder what important works of art are out of view in storage, possibly not considered high profile enough to see the light of day? In Korea, an answer to this question is in the making.
It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
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Belfast Looks Toward an Equitable and Sustainable Housing Model
Birdseye view of Mackie site ©Matthew Lloyd Architects
If one were to look for a theme that is common to most affordable housing models, public access has been based primarily on income, or to be more precise, the very lack of it. Here it is no different, with Belfast’s homeless problem posing a major concern. But the competition also hopes to address another of Belfast’s decades-long issues—its religious divide. There is an underlying assumption here that religion will play no part in a selection process. The competition’s local sponsor was “Take Back the City,” its membership consisting mainly of social advocates. In setting priorities for the housing model, the group interviewed potential future dwellers as well as stakeholders to determine the nature of this model. Among those actions taken was the “photo- mapping of available land in Belfast, which could be used to tackle the housing crisis. Since 2020, (the group) hosted seminars that brought together international experts and homeless people with the goal of finding solutions. Surveys and workshops involving local people, housing associations and council duty-bearers have explored the potential of the Mackie’s site.” This research was the basis for the competition launched in 2022.
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Alster Swimming Pool after restoration (2023)
Linking Two Competitions with Three Modernist Projects
Hardly a week goes by without the news of another architectural icon being threatened with demolition. A modernist swimming pool in Hamburg, Germany belonged in this category, even though the concrete shell roof had been placed under landmark status. When the possibility of being replaced by a high-rise building, it came to the notice of architects at von Gerkan Marg Partners (gmp), who in collaboration with schlaich bergermann partner (sbp), developed a feasibility study that became the basis for the decision to retain and refurbish the building.
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