For Architects, Landscape Architects, and Planners
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University of Chicago North Campus Student Residence
Like many American universities in the late 19th and early 20th centuries, the University of Chicago viewed Gothic architecture as a recognizable symbol to suggest academic excellence in the tradition of Ivy League universities and Oxford. In this, Chicago was not alone, as other schools used a similar formula to imply a connection to a pre-existing academic tradition—Duke University and Butler University in the 1920s being prime examples. As time passed, and to accommodate Chicago’s reputation architecturally as a forward-looking community, the university gradually hired contemporary architects such as Eero Saarinen, Mies van der Rohe, Edward Larrabee Barnes, Walter Netsche and Harry Weese to add to the university’s built fabric. Beginning with the early 21st century, the look on the campus has been updated even more to reflect current trends with buildings by Cesar Pelli, Helmut Jahn, Rafael Viñoly, Joe Valerio, and most recently, the musum by Tod Williams and Billie Tsien.
Interview with Steve Wiesenthal, University of Chicago
with Stanley Collyer
Finalists clockwise from top left: Studio Gang, Perkins and Will, Hopkins Architects, BIG
COMPETITIONS: Based on past and recent history, the University of Chicago seems to be concentrating on exceptional design. Just being in Chicago might be one reason; but you have instituted a competitive design process. How did this come about?
STEVE WIESENTHAL: For every project we undertake, we do an in-depth analysis about the best delivery process, the types of architects we think might be best for those types of projects, and, in the case of the residence hall—which is not just a residence hall, but dining commons, some class rooms, and some other community-type spaces—we had a pretty good idea programmatically what we wanted. The site is on the edge of campus and had on it a 1962 residence hall that was pretty much a fortress up against the surrounding community in Hyde Park. At the primary intersection of campus and community, there was a loading dock and a giant brick wall. We saw this site as an opportunity to dramatically change the relationship between campus and community and thought that what we really wanted to find in the architectural community was ideas that would create the best college housing experience for our students and layer onto that this notion that it would completely change the experience for everybody else on the campus. It’s a big site; we actually expanded it. We incorporated what had been a practice field for our athletic program. The idea was that we create a whole new quadrangle for the campus.
Again, I don’t think I would do a design competition for a high performance physical sciences laboratory building where you want to generate the program and design in parallel. The fact that we had a clear program and high aspirations for the urban plan of this, suggested approaching architects in a competition mode.
Affordable Housing for Cape Cod
by William Morgan
The goal of the Add-on '13 competition was to "seek design proposals for a freestanding, affordable, accessory dwelling unit on outer Cape Cod." Specifically, the town of Wellfleet, Massachusetts has a bylaw that allows a second living unit–and even up to three extra units–on the lot of an existing home. At the moment, the fishing and resort village has a dozen such accessory dwellings. But the nobler aim of the Add-on competition was to "consider the role of affordable housing" in a non-urban context and to "re-envision the relationship between architecture, infrastructure, resources and the land." Despite the seeming modesty of the program–800 square-foot, single bedroom units, to cost less than $150,000, Add-on '13 was a significant contest.
Mark Robbins Interview – Port of Kinmen Competition Juror
with Stanley Collyer
COMPETITIONS: I’m not certain how familiar you were with previous competitions in Taiwan; but this one had much in common with previous ones, in that it was also international in format.
MARK ROBBINS: They are quite high profile for remarkably large-scale projects.
COMPETITIONS: This is similar to the others, and, like those, had two sessions. Were you able to take part in both of them?
MR: Yes. It was on Kinmen Island, which I had never been to. And it has an interesting history. First of all, the U.S. government has had to figure out the deaccessioning of the bases that were military. This is a large island that had been used for military purposes, for although it is part of Taiwan geographically, it is closer to the Chinese mainland and was shelled pretty relentlessly. But because it had been closed off to development during this period, it had a very natural environment—it has one of the highest levels of biodiversity of any area in Taiwan.
So the redevelopment of this becomes quite important, because you have an island, which is now strategically located, interestingly not for military reasons, but commercial reasons. This is expected to make it valuable because of the robust commerce between a Mainland China that still finds they can get a greater variety of consumer goods in Taiwan. Rather than flying goods in, it will be by boat, which is slower, but less expensive. So it will become a vast duty free area. And that was part of the motivation for this competition—to make a more accessible gateway for trade to and from Mainland China.
Surfer's Paradise Goes Cultural
The Gold Coast Cultural Precinct Competition
by Stanley Collyer
Are a Surfer’s Paradise and a significant emphasis on culture mutually compatible? Australia’s City of Gold Coast thinks so, as evidenced by its ambitious competition for a new cultural precinct. The site of the Cultural Precinct competition is the Evandale district, separated by a river and Chevron Island from the city’s premier attraction—Surfer’s Paradise. As indicated by the latter’s name, the city has gained a large share of its revenue as a tourist attraction. Outside of the inviting coastline, there is much to supplement the entertainment needs of tourists, including 40 golf courses and five theme parks. But as Australia’s fastest growing city—now at almost 600,000—the focus has now turned to the arts as a major asset.