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INTERNATIONAL COMPETITIVE DIALOGUE FOR REVITALISATION OF THE GREAT CINEMA CONSTRUCTED BY BAŤA SHOE COMPANY Competition organizer: cceamoba Type: international, EOI Process: Up to six teams will be selected to participate in the competition phase Language: Czech Fee: None Challenge: The Great cinema in Zlín, designed by architect František Lýdie Gahura and built by the 
When one thinks of infrastructure, it’s usually about roads, rails, bridges, airports, canals, pipelines, and any- and everything about getting from one place to another. But leave it to the Steedman competition to stimulate designers to view things from a different point of view.
In the 2016/17 Steedman competition, won by Pedro Pitarch of Spain, the winner explored the theme, “Adaptation,” and convinced the jury with his proposal, Disguised Metropolitanisms: Unveiling the Masquerade of Urban Domesticity. Pitarch’s point of departure? “There has been a migration from the right of property to the right of access and use,” argued Pedro Pitarch. “Spaces are no longer used according to their architectural program, but according to their protocols, their accessibility, and their possibilities of empowerment.” With regret and sorrow, we report the passing in April of two of our founding members of The Competition Project, Armand Ostroff and Robert Kissinger. Armand was our Board President since our founding in 1986, and Bob was our Secretary/Treasurer during the same period. Their service was essential to the success and growth of our Design Challenge:The focus of this competition is developing an inspiring vision for a potential new linear park that could stretch over 7 miles and up to 1,000 acres and serve as a backbone of the area. Individuals and multi-disciplinary design teams from across the United States and beyond with expertise in architecture, landscape architecture, urban planning, engineering, economic analysis, transportation, sustainability, community development, and public art, amongst other fields are invited to submit design proposals for the competition.
Toronto’s1958 competition for its New City Hall and Square was anything but regional in nature. When the City Hall project was in a gestation stage, there was certainly enough pressure from locals to limit the competition to Canadian architects—or even Ontario. By expanding the scope of the competition internationally, the event became global, and the result was to bear this out. Not only was the winner, Viljo Revell, from Europe, but two of the high profile jurors, Eero Saarinen and Ernesto Rogers, were non-Canadians |
Young Architects in CompetitionsWhen Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link: A Modern Upgrade for an Industrial Urban SectorHangang District Urban Design International Master Competition
1st place entry by Dominique Perrault Architecture (image ©Dominique Perrault Architect)
China’s planning priorities for their urban areas experienced a sharp turn after the post-Mao reforms took place. During the early post-WWII period, when Soviet influence in the early urbanization of China dominated, industrial development took precedence over all other issues, with heritage, conservation, residential planning, and the amenities associated with it, being almost entirely neglected.
Powerhouse Precinct at Parramatta
 Winning design by ©Moreau Kusunoki /Genton
Although one might normally assume that local firms participating in a competition might have a clear advantage over foreign competitors, this has seldom been the case: just see Sydney’s Opera House, won by a Danish architect, and Toronto’s City Hall, won by a Finn—as evidence that well devised competition briefs as adequate documentation can create a level playing field for potential competitors, regardless of their location.
Architecture at Zero
Beginning in 2011, Architecture at Zero, a collaboration between the Pacific Gas and Electric Company (PG&E) and the California chapter of the American Institute of Architects (AIACA), was established to investigate the role architecture might play in reducing energy consumption in the built environment. Since then, every year has seen a new site and building type selected as a design challenge in what has become one of the world’s most interesting international competitions. As a sign of its mounting popularity, the competition received 237 registrations from 49 countries and, according to the professional adviser, about 150 entries— all this during the Covid-19 virus pandemic, when all were compelled to work from home.
Zumthor on the Chopping Block? |
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