 The Eisenhower Memorial: Sending Mixed Messages? by Stanley Collyer
Preface Since this article was written, several events have occurred which have changed our perception of the final design process. Frank Gehry went back to the drawing board and has modified his memorial design, eliminating some of the columns which we objected to at the edge of the site (January 2011, see above). One may only hope that the tapastry design element, which the Arts Commission still has some reservations about, can be resolved successfully. More recently, a group called the National Civic Art Society in Washington has issued a call for another Eisenhower Memorial competition for the same site. Apparently stuck on the idea that everything in Washington near the Mall should be in the Beaux Arts traditional style, they take offense that the Gehry design does not meet their standards of what a memorial to Ike should look like. Although probably well-meaning, this group evidently would like to turn back the clock on progress in this field. They would like to erase from memory all the advancements in new materials and ideas which have surfaced and been implemented over the past century. Is it then surprising that not one architect on their board is a national name (Most of their members are laypersons). Although their competition will undoubtedly draw some entries, it should hardly be taken seriously, much less receive any attention from the press. What they are doing is adding nothing to a positive dialogue about architecture in this country—only attempting to set it back by decades. -Ed Frank Gehry’s preferred idea for the Eisenhower Memorial was one of three proposals which the firm presented in March 2010 to the Eisenhower Memorial Commission after prevailing in the earlier selection process. Although not touted as a pure competition by the Memorial Commission, the original selection process in 2009 was typical of the General Services Administration’s Excellence in Architecture program, often used to adjudicate the design process for government projects such as federal courthouses. Read more…
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North Point Competition model, Cambridge, Massachusetts (2003) COMPETITIONS: As has been case with many architects, your career got a very big boost by virtue of winning a competition — Colton Palms Senior Apartments. Was that the very first competition you participated in? VALERIO: No. It wasn’t the first, and it wasn’t the Read more…
| | Photo: ©Mary McCartney | | As was the case with many in the U.S. who had not seen her work, my first encounter with a Zaha Hadid project and with the architect herself was at the dedication of the Contemporary Arts Center in Cincinnati (COMPETITIONS 2003, Vol. 13, #2), with the headline, “Cubism Comes to Cincinnati.” This was a real challenge, because the CAC site was not generous in size or configuration, but constrained on a prominent corner location in downtown Cincinnati. Because of site and floor plan limitations, the staging of large exhibitions is in itself a work of art. And the generous space allocated for the stairs in the atrium, while bringing in much needed light and resulting in a moving experience for visitors, did reduce valuable space for exhibits. This was an additional case that posed | |
| | Photo: ©Paul Warchol | the question: whether Zaha’s design talents could also produce a building that would work ideally for users. Later projects, such as the BMW plant in Leipzig, indicated that function and form could happily coexist. Even her unbuilt Cardiff Opera House, a competition so well documented by Nicholas Crickhowell’s book, Opera House Lottery, held promise as one of the world’s groundbreaking performance venues. The Cardiff Opera house controversy may not have enhanced her reputation in the eyes of some potential clients; but she subsequently was able to design and build many projects around the world, but few in this country—one of the notable exceptions being the new Michigan State University Art Museum.
Over the years, Zaha’s firm became one of the foremost invited participants in competitions worldwide. We never counted them, but we were amazed that she could devote so much energy and time to the number of competitions which her firm participated in. Read more…
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ICC 2016: The Competition Mesh: Experimenting With and Within Architecture Competitions
Sponsor: Leeds Beckett University, Leeds, U.K.
Dates: 27-29 October 2016
Theme: Research on the topic of competitions
Contact: http://www.leedsbeckett.ac.uk/icc2016/ Read more…
February 25, 2016
BLF New Headquarters Competition in Lebanon
Vew down to the site Prof. Luca Molinari of Milan was recently engaged by Banque-Libano Française to organize and administer an international competition for the choice of a designer for the New Banque-Libano Française Headquarters in Beirut (http://www.blfheadquarters.com/).
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Young Architects in Competitions When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset? This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions. Download Young Architects in Competitions for free at the following link: https://crc.umontreal.ca/en/publications-libre-acces/
Aerial view of site – Courtesy National Finnish Museum
When major cultural institutions in Finland plan a new building project, one can almost always assume that an open competition will be the vehicle by which the client settles on the building’s design. The only question is, will this be organized in a format open to local, Scandinavian, or international architects. In the case of the National Museum of Finland annex competition, it was open to architects throughout the world — resulting in 185 entries. Read more…
The Opening of Taichung’s Central Park by Catherine Mosbach/Philippe Rahm
View from the south with downtown Taichung in the distance image: ©Mosbach/Rahm
The abandonment and closing of airports, including decommissioning those that were used for military purposes, has presented design communities with several opportunities to convert them entirely to civilian purposes. Notable among those which have been the result of competitions are Orange County Great Park, Irvine, California (Ken Smith Landscape Architects), The Estonian National Museum (Dan Dorell, Lina Ghotmeh and Tsuyoshi Tane), and Toronto’s less successful Downsview Park competition, whereby the winning design by OMA, with trees as the primary feature, has been basically ignored. Instead, the area has become the site of numerous commercial and residential projects.
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SMAR’s Winning Entry Gets the Green Light
Image: ©SMAR Architecture
The winning competition entry in the 2016 Science Island competition in Kaunas, Lithuania by SMAR Architects may only take five years to realize—from the date of the competition to completion. This is encouraging news, as the duration of such projects resulting from a competition can often take much longer—sometimes up to 8-10 years. Read more…
Night view of the memorial tapestry from Independence Avenue, with Gehry’s sketch of the Normandy cliffs.
Explaining the contributions of a World War II hero and later President of the United States on a very modest site on Independence Avenue just off the Washington Mall is tantamount to asking an author to describe the life of this person in no more than one paragraph. But on September 17th, after a long and bumpy journey, lasting almost 20 years and navigating a warren of the DC approval processes and public scrutiny, the Eisenhower Memorial finally was dedicated and opened to the public. Designed by Frank Gehry, it has received mixed reviews, the majority being more positive. But most have pointed out that the memorial is more impressive at night than in full daylight. This is due primarily to the illumination of an almost block-long metallic tapestry—featuring a sketch by Gehry, which depicts his interpretation of the cliffs of the Normandy coastline where the Americans landed on D-Day. Read more…
Professional winner: Brooklyn Bridge Forest (image © Pilot Projects Design Collective)
While looking for new adventures on a visit to New York City, friends suggested that I take time to walk across the Brooklyn Bridge—certainly a New York icon. For those intending to undertake this trek across the bridge for the first time, the bridge consists of layers, with a large platform for pedestrians on top of a lower level for cars and the metro system. Traversing this connection for the first time between Manhattan and Brooklyn is not just about getting from one place to another, but experiencing a great scenic view of both boroughs and occasionally interacting with other bridge crossers. As for the latter, they provide a flavor of the city’s demographics, as opposed to similar experiences one might have of the city’s inhabitants when riding the city’s subway system. Read more… |
