The North West Arkansas Housing Competitions
Site 2 Winner: ©Kevin Daly Architects
Focusing on the lack of affordable housing in the region for residents and newcomers at all levels of income, the Fay Jones School of Architecture and Design at the University of Arkansas launched the Housing Northwest Arkansas initiative. Intended to be much more than a ... Read more...
Winning entry © Diller Scofidio Renfro
Diller Scofidio Renfro’s solid and compelling design for Adelaide’s new Museum of Contemporary Art prevailed over a strong field of five international teams. As a high-profile project, it could come as no surprise that the original RfQ drew 107 teams including over 500 firms—before the shortlisting process whittled a list ... Read more...
Winning entry by MIstudio
The demonstrations in Kiev in 2013-14, which led to the fall of the Russian-friendly Yanukovych regime, cannot be completely understood without knowledge of the history of the the Ukraine, its people and culture. Let it suffice to say that the Ukranians, who speak their own Slavic language, have gravitated toward western Europe, ... Read more...A Famous Name Attracts 674 Entries
Winning entry by Sini Rahikainen, Hannele Cederström, Inka Norros, Kirsti Paloheimo, Maria Kleimola
Images courtesy ©Alvar Aalto Foundation
Extensions to buildings are normally regarded as significant projects by most architects, whereas linking two existing structures might appear as a lesser priority. On rare occasion of such a significant linkage, which took place ... Read more...
SMAR Architecture Prevails in Final Round in Lithuania
Image: ©SMAR Architecture Studio
After several near misses in some recent high profile competitions, Aalto Museum, Guggenheim Museum, Lima Museum of Contemporary Art, SMAR Architecture Studio (Madrid/Western Australia) was rewarded with the commission for the Science Island project in Kuanas, Lithuania. Against some stiff competition from 144 ... Read more...The Reichstag Visitors Center in Berlin/Tiergarten
Winning entry by Markus Schietsch (Image ©Markus Schietsch Architekten)
If ever there was a pressing need for a facility acting as arrival feature and processing point for a world-renowned landmark structure, a Visitors Center for the Reichstag had to be at the top of the list. Because it does house the ... Read more...
From Storied Restoration to Prime Time Destination
Winning entry ©Steimle Architekten
When we first included an article in COMPETITIONS about the restoration of Hannes Meyer’s Berlin Trade Union School in 2007, little did we anticipate that this subject would resurface on several occasions over the years. With the initial publication of the article,* copies went out to ... Read more...
Finetuning a Sydney Suburb’s Future
Winning Entry: ©James Mather Delaney (JMD Design}
Competitions in Australia have become more commonplace than could have become anticipated two decades ago. It was in the early 1990s that Sydney’s mayor, Frank Sartore, decided that competitions could improve on the rather mediocre architecture so prevalent in the city at that time. ... Read more...
A Final Building Block for the Taichung Cultural Center
Night view of tower ©Elizabeth de Portzamparc
Everyone is well aware of the measures one encounters when entering almost any tower, residential or office, in this era of high security. We are not just talking about protecting the occupants of a residential highrise, but rather the separation ... Read more...
Young Architects win a Restricted Competition
over High-Profile Competitors
“Today the majority of design competitions are exclusively based on prequalification, which means that only established companies that have participated in numerous building projects qualify. The competition format that was chosen for this project challenged this, and the result shows that it was entirely successful.”
– Norwegian Architect Reiulf Ramstad, who together with Architect Jens Thomas Arnfred, acted as design professionals in both the Open Design Stage and the subsequent Restricted Design Competition with three from the open stage competing.

©Vargo Nielsen & Palle/Adept
After surmounting two formidable obstacles, an open international competition with over 260 entries and a second stage limited to four other finalists—two of which were high-profile invitees*—the young Copenhagen firm of Vargo, Nielsen & Palle was declared the winner of the Aarhus School of Architecture Competition. As is often the case when a competitor from a small firm advances to a final stage, the winner teamed up with ADEPT, which had placed in the top six as an honorable mention in the open stage and Rolvung & Brøndsted Arkitekter, Tri-consult and Steensen Varming.
The Design Challenge
The site for the competition was an abandoned railyard near the Aarhus city center. As is true of a typical railroad location, the site in its entirety is linear, with a slight bulge in the center. And it is in this central location of the site, perpendicular to the tracks, that the new school of architecture is to be built.
As the first new school of architecture to be built in Denmark, the Aarhus school is to focus equally on practice as well as the visual theory. The competition brief is clear in its statement of the client’s aims:
“It’s about imagining a completely novel way of organizing a school of architecture, about providing the optimal physical framework for learning in an environment characterized by openness, community and knowledge sharing—in a physical space of high architectural quality.”
Other priorities are the use of light, where during the winter months is at a premium, and sustainability.
For a building of this magnitude, especially in a small country where architects are held in such high regard, the building budget can only be described as modest. A total of $42M, of which $25M is for building construction, pales in comparison to the sums provided for recent new architecture school buildings elsewhere (The recent Kent State School of Architecture cost $42M). This had to be in the back of the minds of the jurors as they examined the 260 entries in the open competition. In the end, there was an open admission that money was a factor:

Competition Site in an abandoned railyard
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San Jose’s Urban Confluence Winner Cancelled

This week we received the news that the winning design for San Jose’s Urban Confluence competition by SMAR Architecture Studio has been cancelled. This comes after the original competition site was abandoned in favor of one more centrally located in downtown San Jose, Plaza de César Chávez. We can only assume that even this wasn’t enough to generate enough interest from major donors. From the very beginning of the competition, it appeared that the enthusiasm of those sponsoring the competition might be lacking links to potential donors with deep pockets—the hi-tech firms in Silicon Valley. After the competition resulted in a design that certainly entailed a major budget, the project had to be in trouble. The competition did produce a remarkable design; but this turned out to be another case where a competition, intended to generate enough public interest to fund a major project, came up short. -Ed
“A Museum for All”

Winning entry by Weiss/Manfredi Landscape Architecture and Urbanism
Background
The Nelson-Atkins Museum of Art’s slogan “Creating a Museum for All” certainly reflects the efforts of many art museums to counter the notion that art museums exist primarily to cater to an elitist few. But one should note that this competition for an expansion of the museum’s capacity to serve a wider audience saw an initial step in this direction with the 1999 competition resulting in the Steven Holl addition, a series of pavilions stretching down one side of the large lawn area..
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Preparation and Organization of Design Competitions

[phase 1] Benjamin Hossbach / Christian Lehmhaus / Christine Eichelmann
210 × 230 mm, 192 pp.
over 600 images
softcover
ISBN 978-3-86922-316-2 (English)
ISBN 978-3-86922-240-0 (German)
Dom Publishers
€48 in EU (For price abroad, see below)
Founded in 1998 in Berlin, Phase 1 has been a principal player in the organization and facilitation of design competitions, not only in Germany, but abroad as well. The accomplishments of the firm have been well documented in three volumes—The Architecture of Competitions—beginning in 2i006. Whereas these books mainly focused on the results of the competitions they have administered, the present work, Fundamentals of Competition Management, takes one from the very beginnings of the competition process to its conclusion. The authors envisioned the publication as “three three books in one: one „blue book“ with example projects, one „yellow book“ with statements and the „white book“ with the actual guideline to competition management.”
Although there have been a number of handbooks covering the administration of designcompetitions a study covering the entire process in such detail is a welcome addition to the the literature in this field. As a contribution to this important democratic process that has yielded exceptional design for decades, this volume is not only valid for Europe, but a current overview of the process for those globally who wish to raise the level of design by virtue of a design competition. -Ed
Foreign institutions wishing to obtain a copy of the book will recieve a discount to cover the cost of foreign shipping.
To obtain a copy for that offer, go to: [email protected]
Since the recent realization of SMAR Architecture’s winning design we have now received images from a professional photo shoot. As an open competition for one of the more important projects in Europe at the time, we feel that full documentation of the process from start to finish was an important page in the history of architecture in the early 21st century. Documentation by us during the 2017 competition, with images from all finalists from the 144 entries is available at:
https://competitions.org/2020/11/science-island-design-competition-finalists/

See more images…

Completed IMEX by Tuck Hinton Architects. Photo courtesy Anecdote
It is not often that we look back to a competition that occurred three decades ago that was also covered in detail by COMPETITIONS (Vol. 4, #4; pp. 14-27). What made the Chattanooga IMAX different back in 1994 was that the article covering that competition was authored by Prof. Marleen Davis, then Dean of the University of Tennessee’s School of Architecture and a member of the jury panel. This was not just a short article, covering the high points of the competition with a few talking points about the winning design. This 4,000+ word document also described in detail the jury’s observations about all the finalists, including the honorable mentions—one of the few times we have gained such a detailed glimpse in this country from the inside of the competition process.
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Winning entry by Luca Poian Forms Image ©Filippo Bolognese images
Good design seldom happens in a vacuum. And so it was with an international competition for a new mosque in Preston, U.K. A mid-sized city of 95,000, and located in Lancashire near the west coast and almost equally distant from London and Glasgow, Preston has a storied past, going all the way back to the Romans and the late Middle Ages, where it was the site of significant battles. During the Industrial Revolution, the city prospered, and it was not until after World War II that Preston experienced the British version of the U.S. Rust Belt. In the meantime, the city has experienced an upswing in economic activity, with an unemployment rate of only 3%. Aside from the appearance of new industries, the city has benefitted from the establishment of Central Lancashire University (CLU), which employs over 3,000 faculty and staff, and, as such, is one of the regions major employers. Any new university requires new facilities, and one of the most outstanding examples of this at CLU was the new Student Centre and Plaza, a result of a 2016 RIBA-sponsored competition won by Hawkins/Brown
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Changdong Station winner – image ©D & B Partners Architects
Whereas international competitions for real projects have become a rarity lately, Korea is a welcome exception. Among the plethora of competition announcements we receive almost weekly, several have ended with foreign firms as winners. But the history of welcoming international participants does go back several years. One notable early example was the Incheon Airport competition, won by Fentress Bradburn Architects (1962-70).
Among the more recent successes of foreign firms was the Busan Opera House competition, won by Snøhetta (2013-) and the Sejong Museum Gardens competition, won by Office OU, Toronto (2016-2023).
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1st Place: Zaha Hadid Architects – night view from river – Render by Negativ
Arriving to board a ferry boat or cruise ship used to be a rather mundane experience. If you had luggage, you might be able to drop it off upon boarding, assuming that the boarding operation was sophisticated enough. In any case, the arrival experience was nothing to look forward to. I recall boarding the SS United States for a trip to Europe in the late 1950s. Arriving at the pier in New York, the only thought any traveler had was to board that ocean liner as soon as possible, find one’s cabin, and start exploring. If you were in New York City and arriving early, a nearby restaurant or cafe would be your best bet while passing time before boarding.
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