A Museum as Entertainment Landscape

 

The Taoyuan Museum of Arts Competition

 


Courtesy: TMOA ©Joe Shih. Architects + Riken Yamamoto and Field Shop

 

 

The competition for the Taoyuan Museum of Arts is similar to now what has become the typical invited format for major projects in Taiwan. In this case, 14 architectural teams submitted their qualifications, and four qualified for the second competition stage. They were Q-LAB + menacoo architecten, Joe Shih. Architects + Riken Yamamoto and Field Shop, Ricky Liu & Associates, and JJPan and Partners, Architects and Planners + MVRDV.

 

 

After the final evaluation was took place on the 28th of February 2018, Joe Shih. Architects + Riken Yamamoto and Field Shop were named the winners with a proposal developing the Museum of Arts as a entertainment landscape hill in the heart of Taoyuan City. Different from most high profile art museums that have appeared on the international scene over the past decades, this one depends almost entirely on a landscape motif as attraction, not a building as symbolic structure. It could be described as a terraced pocket park, with a number of follies on view.

 

 

 

 

 

This museum has three layers of space; the Cube, the Hill and the Inbetween. The Cube is an enclosed exhibition space, and the Hill is a landscape that contains attractions . The Cube and the Hill are connected by the Inbetween, inside of which one can find art installations, performing art and workshops. in addition the terraces include an outside theater. All this is connected by an “inclined lift,” which will connect the various venues. The pop-up boxes serve as multipurpose spaces for commercial and additional exhibition spaces, where artists can sell their works.

 

 

 

Although we haven’t seen the works of the other competitors at this writing, we can assume that the winning design was somewhat of an outlier in the minds of many. But sometimes it takes a totally different approach to win a competition. The final ranking of the participating teams was:

 

 

• First place – Joe Shih. Architects + Riken Yamamoto and Field Shop (Japan)
Second place – Ricky Liu & Associates
Third place – JJPan and Partners, Architects and Planners + MVRDV (The Netherlands)
Fourth place – Q-LAB + menacoo architecten (The Netherlands)

 

 

 


Images: courtesy TMOA ©Joe Shih. Architects + Riken Yamamoto and Field Shop

 

 

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Recent Archive Updates

Interview: James Mary O’Connor FAIA (Winter 2017)

After receiving his Diploma in Architecture from the Dublin Institute of Technology and BS in Architecture from Trinity College in Dublin, James received his Masters in Architecture from the University of California, Los Angeles while a Fulbright Scholar in the U.S. Shortly after his time as a student in Charles Moore’s Master Class at UCLA, he joined the Moore firm in Los Angeles, now Moore Ruble Yudell. Beginning in the late 1980s, he was involved in the firm’s many projects in Germany, many of which dealt with masterplanning and the construction of large housing, primarily in Berlin. Subsequently, he was involved in the Potatisåkern Master Plan & Housing, as well as the Bo01 Housing Exhibition, both in Malmö, Sweden.
James was MRY’s point person in its subsequent involvement with the firm’s many projects in the People’s Republic of China, beginning with their winning competition proposal for the Century Center project in Beijing. Although unbuilt, it didn’t escape the notice of the Chinese, who invited the firm to participate in a competition for the Tianjin Xin-He large neighborhood masterplan—which they won. This was followed by the 2004 Chun Sen Bi An Housing Masterplan competition in the city of Chongqing, located in central China—completed in 2010. This high profile project resulted in a number of affordable and high-end housing projects throughout China. The firm’s most remarkable sustainability project was the COFCO Agricultural Eco-Valley Master Plan project outside Beijing, envisioned to become the first net zero-carbon project of its kind in the world.
In the meantime, the firm’s focus in China has evolved from its concentration on housing to institutional projects, such as the Shanghai University of Technology‘s research buildings. In the meantime MRY has been noted as a leader in the design of campus projects in the U.S. and abroad, as well as numerous government projects—courthouses and embassies.

 

 

Interview: Richard Francis-Jones (Spring 2009) with Michael Dulin

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COMPETITIONS: The new University of Sydney Law School competition, which you won, included a lot of high profile architects besides FJMT: Neilsen Neilsen & Neilsen (Denmark), Axel Shultzes (Berlin), Norman Foster (London), (Bligh Voller Neild (Sydney, Aus), and Donovan Hill & Wilson (Brisbane, Aus). I assume it was invited?

Richard Francis-Jones: The University of Sydney became quite ambitious around this time and implemented a campus planning program called 2010. It included three major new buildings, the largest being the law school. The law school is currently downtown, so the competition was part of bringing the law school back to campus. The law school has a very prestigious faculty and the new site on campus is very strategic. It’s right across from some of the older neo-gothic sandstone buildings, and there’s a sense that it’s very solid. The building was to include a variety of programs and quarters for the faculty, and it also incorporates a law library and lots of general teaching spaces. But the main component is the law school. As a big competition, they had advisors from the architectural side – and the jury included James Weirick, Chris Johnson, Tom Heneghan from U of Sydney (all professors). It was a completely open submission of interest, worldwide. It was reduced to just a few teams and we had to assemble a very detailed – but short – submission for the second phase. We were limited to a certain number of pages and it had to include an interpretive program and outline what we were thinking about the site.

 

 

usyd_law 2
Faculty of Law, Library and Teaching Complex, University of Sydney

 

COMPETITIONS: Like a narrative of some sort?

RFJ: A narrative and a sketch – but only a few pages. Based on those submissions, they selected teams for the competitions (There were several competitions held simultaneously – the law school was just one). Then there was a full competition, and the interesting thing for me — and the unique aspect to this competition — was that we submitted our material, which included panels, a model, etc., and they were put on public display. The public could go have a look for about a month or so prior, and then we each made our design presentations to the jury. But it was also open to the public.

COMPETITIONS: So there was the proper jury but also the public?

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