A Museum as Entertainment Landscape

 

The Taoyuan Museum of Arts Competition

 


Courtesy: TMOA ©Joe Shih. Architects + Riken Yamamoto and Field Shop

 

 

The competition for the Taoyuan Museum of Arts is similar to now what has become the typical invited format for major projects in Taiwan. In this case, 14 architectural teams submitted their qualifications, and four qualified for the second competition stage. They were Q-LAB + menacoo architecten, Joe Shih. Architects + Riken Yamamoto and Field Shop, Ricky Liu & Associates, and JJPan and Partners, Architects and Planners + MVRDV.

 

 

After the final evaluation was took place on the 28th of February 2018, Joe Shih. Architects + Riken Yamamoto and Field Shop were named the winners with a proposal developing the Museum of Arts as a entertainment landscape hill in the heart of Taoyuan City. Different from most high profile art museums that have appeared on the international scene over the past decades, this one depends almost entirely on a landscape motif as attraction, not a building as symbolic structure. It could be described as a terraced pocket park, with a number of follies on view.

 

 

 

 

 

This museum has three layers of space; the Cube, the Hill and the Inbetween. The Cube is an enclosed exhibition space, and the Hill is a landscape that contains attractions . The Cube and the Hill are connected by the Inbetween, inside of which one can find art installations, performing art and workshops. in addition the terraces include an outside theater. All this is connected by an “inclined lift,” which will connect the various venues. The pop-up boxes serve as multipurpose spaces for commercial and additional exhibition spaces, where artists can sell their works.

 

 

 

Although we haven’t seen the works of the other competitors at this writing, we can assume that the winning design was somewhat of an outlier in the minds of many. But sometimes it takes a totally different approach to win a competition. The final ranking of the participating teams was:

 

 

• First place – Joe Shih. Architects + Riken Yamamoto and Field Shop (Japan)
Second place – Ricky Liu & Associates
Third place – JJPan and Partners, Architects and Planners + MVRDV (The Netherlands)
Fourth place – Q-LAB + menacoo architecten (The Netherlands)

 

 

 


Images: courtesy TMOA ©Joe Shih. Architects + Riken Yamamoto and Field Shop

 

 

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Recent Archive Updates

Interview: James Mary O’Connor FAIA (Winter 2017)

After receiving his Diploma in Architecture from the Dublin Institute of Technology and BS in Architecture from Trinity College in Dublin, James received his Masters in Architecture from the University of California, Los Angeles while a Fulbright Scholar in the U.S. Shortly after his time as a student in Charles Moore’s Master Class at UCLA, he joined the Moore firm in Los Angeles, now Moore Ruble Yudell. Beginning in the late 1980s, he was involved in the firm’s many projects in Germany, many of which dealt with masterplanning and the construction of large housing, primarily in Berlin. Subsequently, he was involved in the Potatisåkern Master Plan & Housing, as well as the Bo01 Housing Exhibition, both in Malmö, Sweden.
James was MRY’s point person in its subsequent involvement with the firm’s many projects in the People’s Republic of China, beginning with their winning competition proposal for the Century Center project in Beijing. Although unbuilt, it didn’t escape the notice of the Chinese, who invited the firm to participate in a competition for the Tianjin Xin-He large neighborhood masterplan—which they won. This was followed by the 2004 Chun Sen Bi An Housing Masterplan competition in the city of Chongqing, located in central China—completed in 2010. This high profile project resulted in a number of affordable and high-end housing projects throughout China. The firm’s most remarkable sustainability project was the COFCO Agricultural Eco-Valley Master Plan project outside Beijing, envisioned to become the first net zero-carbon project of its kind in the world.
In the meantime, the firm’s focus in China has evolved from its concentration on housing to institutional projects, such as the Shanghai University of Technology‘s research buildings. In the meantime MRY has been noted as a leader in the design of campus projects in the U.S. and abroad, as well as numerous government projects—courthouses and embassies.

 

 

Interview: Franco Purini (Winter 2007/2008)

title
Student Dormitory, Universita La Sapienza, Rome - Competition (2004)

ritratto purini

 

COMPETITIONS: Since you are interested in planning and 'The City of the Future,' one might imagine that someplace like the United States, where a building is here today and gone tomorrow, orr entire districts for that matter, would be more fertile ground for you, rather than Italy, where city cores are eternally preserved. How can one understand the 'City of the Future' here, against the background of Italian urban tradition?

 

Franco Purini: In Italy many think that the problems of the future in our country can be resolved only within the framework of preservation and restoration. Therefore, many think that we have enough (large) cities, where it is only necessary for them to deal with their own evolutionary process, taking into consideration their own history. As a result, the 'Italian culture,' not the 'architectural culture,' the culture that expresses the essence of the country, has a tendency to belive that something new is in someway an accessory, a corrective or an improvement, something marginal. To them, what is important is the presence of antiquity.

I have found this vision very limiting and restrictive, because even if Italy has a great presence of historical evidence, it also has a great need to have a strong tie with contemporary thought. Therefor it is necessary to add to the framework of that patrimonial conservation the politics and the implementation of new available knowledge, new strategies where needed. That should provide a relationship between our country's ideas and contemporary global development.

What is the effect of the current politics of preservation? The core or center of the historical city, like Sienna, is perfectly preserved as well as can be expected; and granting that such a thing is possible, this city expands without any planning, creating a suburban area. Therefore cities like Sienna, Pisa, and Venice just to name a few, have horrendous suburbs. it would be much more interesting to preserve the historical centers for what they are, and then the new districts which are needed should be built according to a well coordinated design, just as if they were new cities or neighborhoods as part of that existing city.

In Italy today, especially in the north, the diffused city prevails, a variety of the American sprawl, so that in the end there is no more an identity to these places. There aren't any places, there is nothing!

 

COMPETITIONS: In China, for instance, they are building many cities next to old ones, for as many as 50,000 inhabitants.

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