Sverdlovsk Philharmonic Concert Hall Competition

 


Image courtesy Ministry of Construction and Infrastructure ©Zaha Hadid Architects

 

Zaha Hadid Architects prevailed over the entries of 47 other firms to win the Sverdlovsk Concert Hall Competition in Yekaterinburg, Russia. Staging this competition in the Urals, in a remote location in European Russia from the centers of power, is testimony that culture can thrive in regions outside of Moscow and St. Petersburg. Considered the capital of the Urals, the city of Yekaterinburg is Russia’s third largest economy. Its population has increased by over 10% in the past decade to 1.5 million and continues to grow as the primary hub and meeting point connecting east and west, Europe and Asia; attracting the many cultures, talents and industries from across Eurasia.

 

Organized by the Ministry of Construction and Infrastructure with the support of a charitable foundation for the support of the Ural Philharmonic Orchestra, the competition adjudication process narrowed the number of finalist firms down to three:

 

  • Zaha Hadid Architects, London (Winner)
  • Alvisi Kirimoto Partners Srl, Rome, Italy (2nd Place)
  • Robert Gutowski Architects, Budapest, Hungary (3rd Place)

 

The dimensions of the site and its location in a space between buildings prioritized the entrance experience to the concert hall. The Zaha Hadid and Robert Gotowski teams approached this in a somewhat similar fashion. Whereas the Zaha Hadid design suggested an almost open stage with setback as the arrival feature, Gotowski went even farther, imagining a curtain-like, concave structure as a prelude to the concert inside. Alvisi Kirimoto was more conventional, using an extension of the roof toward the street as shelter theme. The Hadid designers also extended the roof over the entire program at one level, suggesting an archeological theme.

 

Solving this program, which included two music performance venues, posed a real challenge to the architects. All three proposals could be understood as valid performance venues, and assuming the Zaha Hadid design is realized as proposed, we might see a few pilgrimages to Yekaterinburg in the coming years.

 

First Place

Zaha Hadid Architects (London)
Local Architect: SPEECH (Moscow)
Landscape design: ARTEZA (Moscow)

 

 

   
Images courtesy Ministry of Construction and Infrastructure ©Zaha Hadid Architects

 

 

Read More…

 

 

Calendar

 

 

Exhibitions and Conferences

 

No events

Recent Archive Updates

Interview: James Mary O’Connor FAIA (Winter 2017)

After receiving his Diploma in Architecture from the Dublin Institute of Technology and BS in Architecture from Trinity College in Dublin, James received his Masters in Architecture from the University of California, Los Angeles while a Fulbright Scholar in the U.S. Shortly after his time as a student in Charles Moore’s Master Class at UCLA, he joined the Moore firm in Los Angeles, now Moore Ruble Yudell. Beginning in the late 1980s, he was involved in the firm’s many projects in Germany, many of which dealt with masterplanning and the construction of large housing, primarily in Berlin. Subsequently, he was involved in the Potatisåkern Master Plan & Housing, as well as the Bo01 Housing Exhibition, both in Malmö, Sweden.
James was MRY’s point person in its subsequent involvement with the firm’s many projects in the People’s Republic of China, beginning with their winning competition proposal for the Century Center project in Beijing. Although unbuilt, it didn’t escape the notice of the Chinese, who invited the firm to participate in a competition for the Tianjin Xin-He large neighborhood masterplan—which they won. This was followed by the 2004 Chun Sen Bi An Housing Masterplan competition in the city of Chongqing, located in central China—completed in 2010. This high profile project resulted in a number of affordable and high-end housing projects throughout China. The firm’s most remarkable sustainability project was the COFCO Agricultural Eco-Valley Master Plan project outside Beijing, envisioned to become the first net zero-carbon project of its kind in the world.
In the meantime, the firm’s focus in China has evolved from its concentration on housing to institutional projects, such as the Shanghai University of Technology‘s research buildings. In the meantime MRY has been noted as a leader in the design of campus projects in the U.S. and abroad, as well as numerous government projects—courthouses and embassies.

 

 

Interview: Richard Francis-Jones (Spring 2009) with Michael Dulin

richard_francis-jones


COMPETITIONS: The new University of Sydney Law School competition, which you won, included a lot of high profile architects besides FJMT: Neilsen Neilsen & Neilsen (Denmark), Axel Shultzes (Berlin), Norman Foster (London), (Bligh Voller Neild (Sydney, Aus), and Donovan Hill & Wilson (Brisbane, Aus). I assume it was invited?

Richard Francis-Jones: The University of Sydney became quite ambitious around this time and implemented a campus planning program called 2010. It included three major new buildings, the largest being the law school. The law school is currently downtown, so the competition was part of bringing the law school back to campus. The law school has a very prestigious faculty and the new site on campus is very strategic. It’s right across from some of the older neo-gothic sandstone buildings, and there’s a sense that it’s very solid. The building was to include a variety of programs and quarters for the faculty, and it also incorporates a law library and lots of general teaching spaces. But the main component is the law school. As a big competition, they had advisors from the architectural side – and the jury included James Weirick, Chris Johnson, Tom Heneghan from U of Sydney (all professors). It was a completely open submission of interest, worldwide. It was reduced to just a few teams and we had to assemble a very detailed – but short – submission for the second phase. We were limited to a certain number of pages and it had to include an interpretive program and outline what we were thinking about the site.

 

 

usyd_law 2
Faculty of Law, Library and Teaching Complex, University of Sydney

 

COMPETITIONS: Like a narrative of some sort?

RFJ: A narrative and a sketch – but only a few pages. Based on those submissions, they selected teams for the competitions (There were several competitions held simultaneously – the law school was just one). Then there was a full competition, and the interesting thing for me — and the unique aspect to this competition — was that we submitted our material, which included panels, a model, etc., and they were put on public display. The public could go have a look for about a month or so prior, and then we each made our design presentations to the jury. But it was also open to the public.

COMPETITIONS: So there was the proper jury but also the public?

Read more...