Movies in the Park: Garage Screen Summer Cinema Competition in Moscow

 

 


Winning entry by SYNDICATE (image © SYNDICATE , courtesy Strelka-KB)

 

Garage Screen, a program of film screenings on contemporary art and culture, was launched in 2012 and introduces viewers to notable examples of Russian and foreign feature films, documentaries, and experimental films. Since its inception, the Garage Museum of Contemporary Art has selected and shown films and videos examining issues of contemporary art and culture in all their manifestations, rare documentary films on the lives and lifestyles of prominent and little-known artists, musicians, architects, and performing artists, as well as films about the creation of exhibitions and works of art.

 

In 2016, the Garage Screen program was held on the roof of Garage. Usually closed to the public, the Museum rooftop was transformed into an open-air cinema outfitted with innovative equipment that could not be found anywhere else in Russia or the CIS. In 2017 and 2018, film screenings were held on Garage Square in a summer cinema pavilion designed by GRACE architects. The 350-seat pavilion had a mirror surface, reflecting the architecture of the Museum building.

 

When the Museum decided to turn to a competition for the design of a new pavilion in the fall of 2018, it engaged Strelka as the administrator of the event. Between October 17 and November 9, 2018, one hundred and thirty-one architects and architectural bureaus from all over Russia registered for the competition.

 


Winning entry by SYNDICATE (image © SYNDICATE , courtesy Strelka-KB)

 

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Interview: James Mary O’Connor FAIA (Winter 2017)

After receiving his Diploma in Architecture from the Dublin Institute of Technology and BS in Architecture from Trinity College in Dublin, James received his Masters in Architecture from the University of California, Los Angeles while a Fulbright Scholar in the U.S. Shortly after his time as a student in Charles Moore’s Master Class at UCLA, he joined the Moore firm in Los Angeles, now Moore Ruble Yudell. Beginning in the late 1980s, he was involved in the firm’s many projects in Germany, many of which dealt with masterplanning and the construction of large housing, primarily in Berlin. Subsequently, he was involved in the Potatisåkern Master Plan & Housing, as well as the Bo01 Housing Exhibition, both in Malmö, Sweden.
James was MRY’s point person in its subsequent involvement with the firm’s many projects in the People’s Republic of China, beginning with their winning competition proposal for the Century Center project in Beijing. Although unbuilt, it didn’t escape the notice of the Chinese, who invited the firm to participate in a competition for the Tianjin Xin-He large neighborhood masterplan—which they won. This was followed by the 2004 Chun Sen Bi An Housing Masterplan competition in the city of Chongqing, located in central China—completed in 2010. This high profile project resulted in a number of affordable and high-end housing projects throughout China. The firm’s most remarkable sustainability project was the COFCO Agricultural Eco-Valley Master Plan project outside Beijing, envisioned to become the first net zero-carbon project of its kind in the world.
In the meantime, the firm’s focus in China has evolved from its concentration on housing to institutional projects, such as the Shanghai University of Technology‘s research buildings. In the meantime MRY has been noted as a leader in the design of campus projects in the U.S. and abroad, as well as numerous government projects—courthouses and embassies.

 

 

Interview: Steve Wiesenthal, University of Chicago Campus Architect (2014)

Interview with Steve Wiesenthal, University of Chicago

Campus Architect

with Stanley Collyer

aerialcollage

Finalists clockwise from top left: Studio Gang, Perkins and Will, Hopkins Architects, BIG

 

COMPETITIONS: Based on past and recent history, the University of Chicago seems to be concentrating on exceptional design. Just being in Chicago might be one reason; but you have instituted a competitive design process. How did this come about?

STEVE WIESENTHAL: For every project we undertake, we do an in-depth analysis about the best delivery process, the types of architects we think might be best for those types of projects, and, in the case of the residence hall—which is not just a residence hall, but dining commons, some class rooms, and some other community-type spaces—we had a pretty good idea programmatically what we wanted. The site is on the edge of campus and had on it a 1962 residence hall that was pretty much a fortress up against the surrounding community in Hyde Park. At the primary intersection of campus and community, there was a loading dock and a giant brick wall. We saw this site as an opportunity to dramatically change the relationship between campus and community and thought that what we really wanted to find in the architectural community was ideas that would create the best college housing experience for our students and layer onto that this notion that it would completely change the experience for everybody else on the campus. It’s a big site; we actually expanded it. We incorporated what had been a practice field for our athletic program. The idea was that we create a whole new quadrangle for the campus.

Again, I don’t think I would do a design competition for a high performance physical sciences laboratory building where you want to generate the program and design in parallel. The fact that we had a clear program and high aspirations for the urban plan of this, suggested approaching architects in a competition mode.

 

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