Sponsor: EXD, Galp Energia Foundation
Type: open, international, 1-stage
Language: English
Eligibility: architects and architecture firms worldwide
Awards:1st Prize – 10,000 EUR
Timetable:7 September, 2009 – submission deadline13 September, 2009 – winners announced13 September – 8 November, 2009 – exhibition of winning submissions
Jury: To be announced
Design Challenge:The goal of the bridge is
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Sponsor: Nissan, DesignboomType: open, 1-stage
Language: English
Eligibility: designers of 18 years or older
Registration fee: none
Awards:1st Prize – 5,000 EUR2nd Prize – 3,000 EUR3rd Prize – 2,000 EUR
Timetable:27 September, 2009 – registration/submission deadline
Jury:-Shiro NAKAMURA : Senior Vice President & CCO (Chief Creative Officer), Design, Brand Management, Nissan Motor Co.,Ltd-Alfonso ALBAISA, Vice
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Sponsor: The Hong Kong Institute of Architects (HKIA) in association with The Hong Kong Institute of Planners (HKIP), The Hong Kong Designers Association (HKDA), and the Shenzhen Planning Bureau
Type: open, international
Timetable:9 September, 2009 – submission deadline
Design Challenge:Open Call1: Bring Your Own Bench – The submissions should be designed to act as acatalyst
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A shortlist has now been selected for the competition to design a new extension and remodelling of the Whitworth Art Gallery, University of Manchester. Interviews were held on the 29 & 30 July following which the jury panel selected five practices to go through to the design phase of the competition.
The five shortlisted practices
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A RIBA competition to find the architect who will design an extension and remodelling of the University of Manchester’s Whitworth Art Gallery has received attention from some of the top names in British architecture. The longlist has been announced and includes Zaha Hadid, Amanda Levete and Eric Parry among its ranks.
A shortlist
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Sponsor: CLEAR VillageFoundation
Type: open, international, 1-stage
Language: English, Danish
Eligibility: professionals, students and artists
Awards:1st Prize – 2,500EURTwo Runner Ups – 1,250EUR each
Timetable:15 August, 2009 – submission deadline1 September, 2009 – winner announced
Design Challenge:To develop an aspirational future of living in the midst of financial and ecological crisis. To co-design a replicable
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Sponsor: Suburban Alternatives Land Trust (SALT) and Northbay Family Homes (NFH)
Type: open, 2-stage
Language: English
Eligibility: architects and designers
Registration fee: $100
Timetable:
14 September, 2009 – briefing and site tour
15 November, 2009 – deadline for registration
4 December, 2009 – 1-stage submissions due
January 2010 – jury recommendation of finalists
Jury:Michael Pyatok,
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Sponsor: Miami County Department of Cultural Affairs
Type: open. 1-stage
Language: English
Eligibility: all professional artists or artist teams
Registration fee: none
Awards:Estimated public art budget – $5,500,000
Timetable:14 August, 2009 – deadline for applications8 December, 2009 – contract approval phase
Design Challenge:In collaboration with the Miami Marlins, Miami-Dade Art in Public Places has identified
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Sponsor: Kobenhavns Kommune
Type: open, international. 1-stage
Language: Danish, English
Awards:A total fee amount of up to DKK 725,000 (about EUR 97,400) will be paid out.An amount of DKK 150,000 (about EUR 20,150) will be paid to up to three winning entrants.The balance will be distributed at the discretion of the jury, but all prizes
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Sponsor: Regione Piemonte
Type: open, international, 1-stage
Language: Italian, English
Registration fee: none
Timetable:30 August, 2009 – submission deadline15 September, 2009 – results announced8-11 October, 2009 – exhibition in Turin
Jury:Michela Pasquali, landscape architect, editor of the Oltre i giardini series of books published by Bollati Boringhieri.Filippo Alossa, gardener and nurseryman, president of the Nuova
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Helsinki Central Library, by ALA Architects (2012-2018)
The world has experienced a limited number of open competitions over the past three decades, but even with diminishing numbers, some stand out among projects in their categories that can’t be ignored for the high quality and degree of creativity they revealed. Included among those are several invited competitions that were extraordinary in their efforts to explore new avenues of institutional and museum design. Some might ask why the Vietnam Memorial is not mentioned here. Only included in our list are competitions that were covered by us, beginning in 1990 with COMPETITIONS magazine to the present day. As for what category a project under construction (Science Island), might belong to or fundraising still in progress (San Jose’s Urban Confluence or the Cold War Memorial competition, Wisconsin), we would classify the former as “built” and wait and see what happens with the latter—keeping our fingers crossed for a positive outcome.
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Young Architects in Competitions
When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link:
https://crc.umontreal.ca/en/publications-libre-acces/
RUR model perspective – ©RUR
New Kaohsiung Port and Cruise Terminal, Taiwan (2011-2020)
Reiser+Umemoto RUR Architecture PC/ Jesse Reiser – U.S.A.
with
Fei & Cheng Associates/Philip T.C. Fei –R.O.C. (Tendener)
This was probably the last international open competition result that was built in Taiwan. A later competition for the Keelung Harbor Service Building Competition, won by Neil Denari of the U.S., the result of a shortlisting procedure, was not built. The fact that the project by RUR was eventually completed—the result of the RUR/Fei & Cheng’s winning entry there—certainly goes back to the collaborative role of those to firms in winning the 2008 Taipei Pop Music Center competition, a collaboration that should not be underestimated in setting the stage for this competition.
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Winning entry ©Herzog de Meuron
In visiting any museum, one might wonder what important works of art are out of view in storage, possibly not considered high profile enough to see the light of day? In Korea, an answer to this question is in the making.
It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
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Belfast Looks Toward an Equitable and Sustainable Housing Model
Birdseye view of Mackie site ©Matthew Lloyd Architects
If one were to look for a theme that is common to most affordable housing models, public access has been based primarily on income, or to be more precise, the very lack of it. Here it is no different, with Belfast’s homeless problem posing a major concern. But the competition also hopes to address another of Belfast’s decades-long issues—its religious divide. There is an underlying assumption here that religion will play no part in a selection process. The competition’s local sponsor was “Take Back the City,” its membership consisting mainly of social advocates. In setting priorities for the housing model, the group interviewed potential future dwellers as well as stakeholders to determine the nature of this model. Among those actions taken was the “photo- mapping of available land in Belfast, which could be used to tackle the housing crisis. Since 2020, (the group) hosted seminars that brought together international experts and homeless people with the goal of finding solutions. Surveys and workshops involving local people, housing associations and council duty-bearers have explored the potential of the Mackie’s site.” This research was the basis for the competition launched in 2022.
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Alster Swimming Pool after restoration (2023)
Linking Two Competitions with Three Modernist Projects
Hardly a week goes by without the news of another architectural icon being threatened with demolition. A modernist swimming pool in Hamburg, Germany belonged in this category, even though the concrete shell roof had been placed under landmark status. When the possibility of being replaced by a high-rise building, it came to the notice of architects at von Gerkan Marg Partners (gmp), who in collaboration with schlaich bergermann partner (sbp), developed a feasibility study that became the basis for the decision to retain and refurbish the building.
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