Paradoxes of the Public – Art in Public Spaces Results
355 artists from 20 countries including Australia, the United States, Canada, Singapore, Argentina, Brazil, the Philippines, Morocco, Italy, Spain, Portugal, England, Belgium, France, the Netherlands, Lithuania, Austria, Switzerland, Finland and Croatia, submitted their works to this competition, organized for the first time by the city of Duisburg and the Duisburg Marketing GmbH in co-operation with the Cultural.
1st prize (5,000 euros):
Felix Lüdicke and Korbinian Lechner (Vienna/Munich) for their work “Kaiserberg – woher – wohin?” (Kaiserberg – wherefrom? – whereto?)
2nd prize (3,000 euros):
the Swiss group île flottante for their work “Expansion sonore”
3 prizes (2,500 euros each):
Birte Hennig (Braunschweig) for her photographic work “Was hier wohl mal reinkommt…?” (I wonder what they’ll put in here….?)
Heike Mutter and Ulrich Genth (Duisburg/Hamburg) for their installation “Für eine Ökonomie des Tauschens” (For an economy of swapping) at the Duisburg CityPalais
Karin Lingnau and Martin Hesselmeier for their work “SARoskop” (SARoscope) ____________ Announcement SPONSOR: Federal Cultural Foundation (Kulturstiftung des Bundes), the Minister President of North Rhine-Westphalia, the North Rhine-Westphalian Initiative UrbanBuildingCulture (Initiative StadtBauKultur NRW); Vodafone TYPE: Open, international, art, RfP LOCATION: City of Duisburg, Germany LANGUAGE: German, English TIMETABLE: 01 Oct 2007 – Registration Deadline 01 Oct 2007 – Submission Deadline ELIGIBILITY: Artists and artists’ groups working in the fields of visual arts, media arts, performance, architecture, urban research / spatial planning JURY: Unknown AWARDS: Total €15,500 It is proposed to realize three of the award-winning works in May 2008 for a limited period of time as part of the festival “Duisburger Akzente – State Cultural Festival of North Rhine-Westphalia.” FEE: None DESIGN CHALLENGE: In order for art to work as a germ cell and laboratory for what is new, one of the most important questions that must be answered is: Where are the public crystallization points emerging today, the points that radiate social dynamics, and where can art help them to take on a face, an image, a form. The goal of this competition, in preparation for 2010, the year of the European Capital of Culture in the Ruhr, is to initiate new art forms adapted to changed public spaces that take into account the perceptions of the users of a city (as drivers, consumers and telecommunications users) and will ideally invite people to participate. The assignment will be to develop artists’ works exploring the aesthetic and social conditions of the following three public spaces: 1. Consumer Spaces: Shopping Malls and Arcades 2. Transitory Spaces: Streets and Motorways 3. Data Spaces: Mobile Technologies ADDITIONAL INFORMATION: Duisburg Marketing GmbH Nina Hülsmeier und Dr. Söke Dinkla Tel: +0049 (0) 203 283 6427 n.huelsmeier@stadt-duisburg.de http://www.duisburger-akzente.de/de/wettbewerb_paradoxien_eng.php
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Young Architects in Competitions
When Competitions and a New Generation of Ideas Elevate Architectural Quality
by Jean-Pierre Chupin and G. Stanley Collyer
published by Potential Architecture Books, Montreal, Canada 2020
271 illustrations in color and black & white
Available in PDF and eBook formats
ISBN 9781988962047
What do the Vietnam Memorial, the St. Louis Arch, and the Sydney Opera House have in common? These world renowned landmarks were all designed by architects under the age of 40, and in each case they were selected through open competitions. At their best, design competitions can provide a singular opportunity for young and unknown architects to make their mark on the built environment and launch productive, fruitful careers. But what happens when design competitions are engineered to favor the established and experienced practitioners from the very outset?
This comprehensive new book written by Jean-Pierre Chupin (Canadian Competitions Catalogue) and Stanley Collyer (COMPETITIONS) highlights for the crucial role competitions have played in fostering the careers of young architects, and makes an argument against the trend of invited competitions and RFQs. The authors take an in-depth look at past competitions won by young architects and planners, and survey the state of competitions through the world on a region by region basis. The end result is a compelling argument for an inclusive approach to conducting international design competitions.
Download Young Architects in Competitions for free at the following link:
https://crc.umontreal.ca/en/publications-libre-acces/
Winning entry ©Herzog de Meuron
In visiting any museum, one might wonder what important works of art are out of view in storage, possibly not considered high profile enough to see the light of day? In Korea, an answer to this question is in the making.
It can come as no surprise that museums are running out of storage space. This is not just the case with long established “western” museums, but elsewhere throughout the world as well. In Seoul, South Korea, such an issue has been addressed by planning for a new kind of storage facility, the Seouipul Open Storage Museum. The new institution will house artworks and artifacts of three major museums in Seoul: the Seoul Museum of Modern Art, the Seoul Museum of History, and the Seoul Museum of Craft Art.
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Belfast Looks Toward an Equitable and Sustainable Housing Model
Birdseye view of Mackie site ©Matthew Lloyd Architects
If one were to look for a theme that is common to most affordable housing models, public access has been based primarily on income, or to be more precise, the very lack of it. Here it is no different, with Belfast’s homeless problem posing a major concern. But the competition also hopes to address another of Belfast’s decades-long issues—its religious divide. There is an underlying assumption here that religion will play no part in a selection process. The competition’s local sponsor was “Take Back the City,” its membership consisting mainly of social advocates. In setting priorities for the housing model, the group interviewed potential future dwellers as well as stakeholders to determine the nature of this model. Among those actions taken was the “photo- mapping of available land in Belfast, which could be used to tackle the housing crisis. Since 2020, (the group) hosted seminars that brought together international experts and homeless people with the goal of finding solutions. Surveys and workshops involving local people, housing associations and council duty-bearers have explored the potential of the Mackie’s site.” This research was the basis for the competition launched in 2022.
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Alster Swimming Pool after restoration (2023)
Linking Two Competitions with Three Modernist Projects
Hardly a week goes by without the news of another architectural icon being threatened with demolition. A modernist swimming pool in Hamburg, Germany belonged in this category, even though the concrete shell roof had been placed under landmark status. When the possibility of being replaced by a high-rise building, it came to the notice of architects at von Gerkan Marg Partners (gmp), who in collaboration with schlaich bergermann partner (sbp), developed a feasibility study that became the basis for the decision to retain and refurbish the building.
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A Church Ruin as Reconciliation Memorial
View of winning design from south ©Heninghan Peng Architects
For those tourists visiting Berlin today, the sudden approach to the ruins of a 1895 church building located on the city’s downtown Breitscheidplatz would certainly arouse their curiosity. One of the few remaining relics of World War II in the city, the church has now been the subject of a competition: Redesign and renovation of the Old Tower of the Friedrich Wilhelm Memorial Church (Umgestaltung des Alten Turms der Kaiser-Wilhelm-Gedächnis-Kirche).
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